First time in Florence
» Florence » Florence » Florence
From $91.07
Price varies by group size
Lowest Price GuaranteePricing Info: Per Person
Duration: 2 hours
Departs: Florence, Florence
Ticket Type: Mobile or paper ticket accepted
Free cancellation
Overview
If this is your first time in Florence, this is the tour for you! A local and experienced tour guide will walk you through mazelike cobblestone medieval streets to show you the many landmarks of the city. Please note that this tour will start with min 2 pax.
We will meet in Repubblica Square, the real heart of the city, and then proceed to the immortal Duomo square where we will admire its Baptistery, Giotto's belltower and Santa Maria del Fiore Cathedral.
We will then pass through the mazelike medieval neighborhood, which is going to take us to Dante's house. From there we will emerge into the elegant Signoria square where the city hall is located.
Next to this square, there is the magnificent Uffizi Gallery, which will lead to the Lungarno Avenue and the Ponte Vecchio Bridge where you will be dazzled by its numerous jewelry shops.
In just two hours, we will see the most famous landmarks of the city also known as the cradle of the Renaissance. An ideal tour to get to know the city.
What's Included
All Fees and Taxes
What's Not Included
Private transportation
Snacks
Traveler Information
- YOUTH: Age: 0 - 12
- ADULT: Age: 13 - 120
Additional Info
- Face masks required for travellers in public areas
- Guides required to regularly wash hands
- Infants and small children can ride in a pram or stroller
- Regular temperature checks for staff
- Service animals allowed
- Suitable for all physical fitness levels
- Wheelchair accessible
- Face masks required for guides in public areas
- Gear/equipment sanitised between use
- Hand sanitiser available to travellers and staff
- Public transportation options are available nearby
- Regularly sanitised high-traffic areas
- Social distancing enforced throughout experience
- Transportation options are wheelchair accessible
Cancellation Policy
For a full refund, cancel at least 24 hours before the scheduled departure time.
- For a full refund, you must cancel at least 24 hours before the experience’s start time.
- If you cancel less than 24 hours before the experience’s start time, the amount you paid will not be refunded.
- Experience may be cancelled due to Insufficient travelers
What To Expect
Piazza della Repubblica
Piazza della Repubblica is the beating heart of the center of Florence, where the old city meets the modern one, and teems with life at any time of day or night.
Piazza della Repubblica has been the center of the city since the Roman times, when the cardo and decumanus (the two axial streets of all towns built by the Romans) intersected marking the location of the large Roman forum. The exact point is marked by a Column called Colonna dell’Abbondanza.
In medieval times, the area was very populated and the square was used as a market area from the year 1000. In the Renaissance it became the area of the “old market”, since the Loggia of the New Market, or Loggia del Porcellino, was built close-by near Palazzo Vecchio and Ponte Vecchio. Not far from the old market there was also the Jewish ghetto, established in 1570 by Cosimo I, which had two synagogues.
The current appearance of Piazza della Repubblica dates to the late 1800s, when major renovations were made in Florence when it became the capital of Italy. The ring road, Piazzale Michelangelo and the Rampe date back to the same period. During the renovation works, the square was enlarged and many medieval buildings were demolished including towers, churches and noble palaces; the old Florence made way to modernity.
On the square elegant palaces and cafes were built transforming the area into the parlor of Florence. Here you can find places such as the Caffè delle Giubbe Rosse, where Italian artists and writers met, or the Caffè Gilli or the nearby Giacosa cafè where the Negroni cocktail was invented.
Today Piazza della Repubblica is still the center of the city, a meeting point halfway between the Duomo and Signoria squares, in the heart of Florentine shopping. Do not miss the beautiful, large carousel, fun for youngsters of any age.
Piazza della Repubblica has been the center of the city since the Roman times, when the cardo and decumanus (the two axial streets of all towns built by the Romans) intersected marking the location of the large Roman forum. The exact point is marked by a Column called Colonna dell’Abbondanza.
In medieval times, the area was very populated and the square was used as a market area from the year 1000. In the Renaissance it became the area of the “old market”, since the Loggia of the New Market, or Loggia del Porcellino, was built close-by near Palazzo Vecchio and Ponte Vecchio. Not far from the old market there was also the Jewish ghetto, established in 1570 by Cosimo I, which had two synagogues.
The current appearance of Piazza della Repubblica dates to the late 1800s, when major renovations were made in Florence when it became the capital of Italy. The ring road, Piazzale Michelangelo and the Rampe date back to the same period. During the renovation works, the square was enlarged and many medieval buildings were demolished including towers, churches and noble palaces; the old Florence made way to modernity.
On the square elegant palaces and cafes were built transforming the area into the parlor of Florence. Here you can find places such as the Caffè delle Giubbe Rosse, where Italian artists and writers met, or the Caffè Gilli or the nearby Giacosa cafè where the Negroni cocktail was invented.
Today Piazza della Repubblica is still the center of the city, a meeting point halfway between the Duomo and Signoria squares, in the heart of Florentine shopping. Do not miss the beautiful, large carousel, fun for youngsters of any age.
15 minutes • Admission Ticket Free
Duomo - Cattedrale di Santa Maria del Fiore
The Cathedral of Santa Maria del Fiore is the main cathedral in Florence and represents one of the hubs of the city. It is one of the most important churches in Europe and it was designed to be the largest in the world at the time of its construction. Its dimensions are imposing with 153 meters in length and a width of 38 meters with a difference in height from the floor to the top of the internal dome of about 90 meters.
It was consecrated on March 25, 1436 by Pope Eugene IV.
The cathedral was built over the pre-existing Church of Santa Reparata, which is still visible in the accessible crypt of the cathedral. Here you can also find Filippo Brunelleschi’s tomb. The foundation stone was laid on 8 September 1296 on a first project by Arnolfo di Cambio, which was followed by other great master craftsmen, including Giotto, who barely had time to start building the large bell tower in his lifetime. The magnificent facade of the Cathedral is a nineteenth-century work by Emilio De Fabris.
In 1418, a public competition was launched for the construction of the extensive dome which was to complete the construction of the cathedral. It was Filippo Brunelleschi's pioneering project that was selected and construction work began in 1420.
The interior of the Cathedral of Santa Maria del Fiore appears linear and sober and holds masterpieces such as Giovanni Acuto’s equestrian monument by Paolo Uccello and the one of Niccolò da Tolentino by Andrea del Castagno. The frescoes of the dome are spectacular and depict the Last Judgment by Federico Zuccari and Giorgio Vasari. Other masterpieces, such as the Singing Choirs (Cantoria) by Donatello and Della Robbia made for the Cathedral, are now preserved in the Museo dell'Opera del Duomo.
It was consecrated on March 25, 1436 by Pope Eugene IV.
The cathedral was built over the pre-existing Church of Santa Reparata, which is still visible in the accessible crypt of the cathedral. Here you can also find Filippo Brunelleschi’s tomb. The foundation stone was laid on 8 September 1296 on a first project by Arnolfo di Cambio, which was followed by other great master craftsmen, including Giotto, who barely had time to start building the large bell tower in his lifetime. The magnificent facade of the Cathedral is a nineteenth-century work by Emilio De Fabris.
In 1418, a public competition was launched for the construction of the extensive dome which was to complete the construction of the cathedral. It was Filippo Brunelleschi's pioneering project that was selected and construction work began in 1420.
The interior of the Cathedral of Santa Maria del Fiore appears linear and sober and holds masterpieces such as Giovanni Acuto’s equestrian monument by Paolo Uccello and the one of Niccolò da Tolentino by Andrea del Castagno. The frescoes of the dome are spectacular and depict the Last Judgment by Federico Zuccari and Giorgio Vasari. Other masterpieces, such as the Singing Choirs (Cantoria) by Donatello and Della Robbia made for the Cathedral, are now preserved in the Museo dell'Opera del Duomo.
30 minutes • Admission Ticket Not Included
Palazzo Vecchio
Palazzo Vecchio is one of the most important monuments of the city of Florence and has been the seat of its government for more than seven hundred years.
The name Palazzo Vecchio (literally: old palace) was given to this building after 1565, when the court of Grand Duke Cosimo I moved to the "new" Palazzo Pitti. The palace changed its name through the centuries following its politics: it was originally called Palazzo dei Priori, then Palazzo della Signoria and finally Palazzo Ducale. It was also the seat of the Parliament of the Kingdom of Italy when Florence was the capital between 1865 and 1871, and today it is the seat of the Municipality of Florence.
The construction of Palazzo Vecchio was entrusted to Arnolfo di Cambio in 1299, who built it on the ruins of pre-existing buildings by incorporating the ancient Torre della Vacca, the base of the current Torre di Arnolfo. The building we see today is the result of successive constructions and expansions that took place over the following centuries, such as the construction of the Salone dei Cinquecento (=Room of 500) at the end of the 15th century commissioned by Girolamo Savonarola.
Palazzo Vecchio houses the Museum of Palazzo Vecchio which has various rooms of impressive beauty that display the history of Florence and of the Medici family who ruled the city for almost 300 years. One of the most spectacular halls is the monumental Salone dei Cinquecento: it has a length of 117 feet, a width of 75.4 feet and a height of 59 feet. The works that decorate the walls of the room are the work of Giorgio Vasari and his workshop. He received the commission from Cosimo I de’ Medici to transform the hall into a meeting room which would glorify his feats and history. At the center of the ceiling we find the Apotheosis of Cosimo I surrounded by more than 40 allegories regarding the districts of Florence and the domains of the Duchy.
In addition to Vasari's works, the Salone dei Cinquecento boasts Michelangelo's famous Vittoria, one of the eight sculptures that, together with the Captives, was made for the tomb of Pope Julius II.
Of particular beauty is the Studiolo of Francesco I, also created by Vasari and workshop, with walls covered with paintings, stuccos and sculptures that represent the four elements of nature (air, earth, water and fire). You can also admire the portraits of Cosimo I and his wife Eleanor of Toledo painted by Alessandro Allori.
On a sunny day, you should climb the Tower of Palazzo Vecchio which, with its 311.5 feet, rises over the roofs of the city. After climbing the 223 steps you reach the last crenellated sighting level which offers a splendid panorama of Florence.
The name Palazzo Vecchio (literally: old palace) was given to this building after 1565, when the court of Grand Duke Cosimo I moved to the "new" Palazzo Pitti. The palace changed its name through the centuries following its politics: it was originally called Palazzo dei Priori, then Palazzo della Signoria and finally Palazzo Ducale. It was also the seat of the Parliament of the Kingdom of Italy when Florence was the capital between 1865 and 1871, and today it is the seat of the Municipality of Florence.
The construction of Palazzo Vecchio was entrusted to Arnolfo di Cambio in 1299, who built it on the ruins of pre-existing buildings by incorporating the ancient Torre della Vacca, the base of the current Torre di Arnolfo. The building we see today is the result of successive constructions and expansions that took place over the following centuries, such as the construction of the Salone dei Cinquecento (=Room of 500) at the end of the 15th century commissioned by Girolamo Savonarola.
Palazzo Vecchio houses the Museum of Palazzo Vecchio which has various rooms of impressive beauty that display the history of Florence and of the Medici family who ruled the city for almost 300 years. One of the most spectacular halls is the monumental Salone dei Cinquecento: it has a length of 117 feet, a width of 75.4 feet and a height of 59 feet. The works that decorate the walls of the room are the work of Giorgio Vasari and his workshop. He received the commission from Cosimo I de’ Medici to transform the hall into a meeting room which would glorify his feats and history. At the center of the ceiling we find the Apotheosis of Cosimo I surrounded by more than 40 allegories regarding the districts of Florence and the domains of the Duchy.
In addition to Vasari's works, the Salone dei Cinquecento boasts Michelangelo's famous Vittoria, one of the eight sculptures that, together with the Captives, was made for the tomb of Pope Julius II.
Of particular beauty is the Studiolo of Francesco I, also created by Vasari and workshop, with walls covered with paintings, stuccos and sculptures that represent the four elements of nature (air, earth, water and fire). You can also admire the portraits of Cosimo I and his wife Eleanor of Toledo painted by Alessandro Allori.
On a sunny day, you should climb the Tower of Palazzo Vecchio which, with its 311.5 feet, rises over the roofs of the city. After climbing the 223 steps you reach the last crenellated sighting level which offers a splendid panorama of Florence.
30 minutes • Admission Ticket Not Included
Fontana del Porcellino
The Porcellino statue, or rather the Fontana del Porcellino, is located on the edge of the Loggia del Mercato Nuovo, not far from the Ponte Vecchio and Palazzo Vecchio, in the historic center of Florence.
The bronze statue is a copy of Pietro Tacca's original work, dating back to 1633 which, in turn, is a copy of a Roman marble sculpture from the Hellenistic period that Pope Pius IV gave to Cosimo I in 1560. The original bronze statue is in the Bardini Museum, while the Roman marble statue is in the Uffizi Gallery.
Porcellino in Italian means piglet so this should be a statue of a piglet, even if it is clear that the represented animal is actually a wild boar. The naming of this statue is lost in the mists of time. Even the famous writer Hans Christian Andersen, called it a piglet when describing it:
“In front of a sort of market in this street, where vegetables are sold, stands an artificial but beautifully fashioned bronze piglet. A fountain of fresh clear water gushes out of the animal's mouth. Age has turned it dark green; only its snout shines as if it had been polished [...] "
The words of the Danish writer remind us how the Fontana del Porcellino has always been linked to popular superstition. According to tradition, if you rub the nose of the piglet you will have good luck. Actually the complete procedure would be to rub its snout and then put a coin in its mouth: the coin must fall through the grate and then into the water, only then will you be granted good luck.
The bronze statue is a copy of Pietro Tacca's original work, dating back to 1633 which, in turn, is a copy of a Roman marble sculpture from the Hellenistic period that Pope Pius IV gave to Cosimo I in 1560. The original bronze statue is in the Bardini Museum, while the Roman marble statue is in the Uffizi Gallery.
Porcellino in Italian means piglet so this should be a statue of a piglet, even if it is clear that the represented animal is actually a wild boar. The naming of this statue is lost in the mists of time. Even the famous writer Hans Christian Andersen, called it a piglet when describing it:
“In front of a sort of market in this street, where vegetables are sold, stands an artificial but beautifully fashioned bronze piglet. A fountain of fresh clear water gushes out of the animal's mouth. Age has turned it dark green; only its snout shines as if it had been polished [...] "
The words of the Danish writer remind us how the Fontana del Porcellino has always been linked to popular superstition. According to tradition, if you rub the nose of the piglet you will have good luck. Actually the complete procedure would be to rub its snout and then put a coin in its mouth: the coin must fall through the grate and then into the water, only then will you be granted good luck.
10 minutes • Admission Ticket Free
Ponte Vecchio
Palazzo Vecchio is one of the most important monuments of the city of Florence and has been the seat of its government for more than seven hundred years.
The name Palazzo Vecchio (literally: old palace) was given to this building after 1565, when the court of Grand Duke Cosimo I moved to the "new" Palazzo Pitti. The palace changed its name through the centuries following its politics: it was originally called Palazzo dei Priori, then Palazzo della Signoria and finally Palazzo Ducale. It was also the seat of the Parliament of the Kingdom of Italy when Florence was the capital between 1865 and 1871, and today it is the seat of the Municipality of Florence.
The construction of Palazzo Vecchio was entrusted to Arnolfo di Cambio in 1299, who built it on the ruins of pre-existing buildings by incorporating the ancient Torre della Vacca, the base of the current Torre di Arnolfo. The building we see today is the result of successive constructions and expansions that took place over the following centuries, such as the construction of the Salone dei Cinquecento (=Room of 500) at the end of the 15th century commissioned by Girolamo Savonarola.
Palazzo Vecchio houses the Museum of Palazzo Vecchio which has various rooms of impressive beauty that display the history of Florence and of the Medici family who ruled the city for almost 300 years. One of the most spectacular halls is the monumental Salone dei Cinquecento: it has a length of 117 feet, a width of 75.4 feet and a height of 59 feet. The works that decorate the walls of the room are the work of Giorgio Vasari and his workshop. He received the commission from Cosimo I de’ Medici to transform the hall into a meeting room which would glorify his feats and history. At the center of the ceiling we find the Apotheosis of Cosimo I surrounded by more than 40 allegories regarding the districts of Florence and the domains of the Duchy.
In addition to Vasari's works, the Salone dei Cinquecento boasts Michelangelo's famous Vittoria, one of the eight sculptures that, together with the Captives, was made for the tomb of Pope Julius II.
Of particular beauty is the Studiolo of Francesco I, also created by Vasari and workshop, with walls covered with paintings, stuccos and sculptures that represent the four elements of nature (air, earth, water and fire). You can also admire the portraits of Cosimo I and his wife Eleanor of Toledo painted by Alessandro Allori.
On a sunny day, you should climb the Tower of Palazzo Vecchio which, with its 311.5 feet, rises over the roofs of the city. After climbing the 223 steps you reach the last crenellated sighting level which offers a splendid panorama of Florence.
The name Palazzo Vecchio (literally: old palace) was given to this building after 1565, when the court of Grand Duke Cosimo I moved to the "new" Palazzo Pitti. The palace changed its name through the centuries following its politics: it was originally called Palazzo dei Priori, then Palazzo della Signoria and finally Palazzo Ducale. It was also the seat of the Parliament of the Kingdom of Italy when Florence was the capital between 1865 and 1871, and today it is the seat of the Municipality of Florence.
The construction of Palazzo Vecchio was entrusted to Arnolfo di Cambio in 1299, who built it on the ruins of pre-existing buildings by incorporating the ancient Torre della Vacca, the base of the current Torre di Arnolfo. The building we see today is the result of successive constructions and expansions that took place over the following centuries, such as the construction of the Salone dei Cinquecento (=Room of 500) at the end of the 15th century commissioned by Girolamo Savonarola.
Palazzo Vecchio houses the Museum of Palazzo Vecchio which has various rooms of impressive beauty that display the history of Florence and of the Medici family who ruled the city for almost 300 years. One of the most spectacular halls is the monumental Salone dei Cinquecento: it has a length of 117 feet, a width of 75.4 feet and a height of 59 feet. The works that decorate the walls of the room are the work of Giorgio Vasari and his workshop. He received the commission from Cosimo I de’ Medici to transform the hall into a meeting room which would glorify his feats and history. At the center of the ceiling we find the Apotheosis of Cosimo I surrounded by more than 40 allegories regarding the districts of Florence and the domains of the Duchy.
In addition to Vasari's works, the Salone dei Cinquecento boasts Michelangelo's famous Vittoria, one of the eight sculptures that, together with the Captives, was made for the tomb of Pope Julius II.
Of particular beauty is the Studiolo of Francesco I, also created by Vasari and workshop, with walls covered with paintings, stuccos and sculptures that represent the four elements of nature (air, earth, water and fire). You can also admire the portraits of Cosimo I and his wife Eleanor of Toledo painted by Alessandro Allori.
On a sunny day, you should climb the Tower of Palazzo Vecchio which, with its 311.5 feet, rises over the roofs of the city. After climbing the 223 steps you reach the last crenellated sighting level which offers a splendid panorama of Florence.
20 minutes • Admission Ticket Free
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